"Try
harder!" she would growl, half-grinning, half-serious, swishing the knife
closer and closer. "Sit, Snake!" she would cry. Snake sat. "Dance,
Snake!" she would cry. Snake danced. Then she would toss aside the knife,
tackle him and wrestle on the floor until he said uncle, get up, gloat, jump
into her car, crank up the radio, stomp on the wooden block she needed to reach
the gas pedal, and fly. Sixty...seventy...eighty....
That was the
speed at which a cop in Maryland clocked her while she was riding in her
Mustang convertible with the steering wheel between her knees, both her arms
straight up in the air catching the rain, both her eyes lost on the rainbow
above. The cop pulled her over. "Do you know I had the flashers on for five
minutes?" he said.
"No," she
said.
The cop let her
go. The world let her go. Hell, you couldn't even issue a warning for
exuberance like that.
You say you
should have when I was a baby
drowned me in a lake
You've never baked me a cake
Then why do I love you like I do?
This I wondered as I grew
Your the one who bought my first horse
You taught me know to ride and be the best (of course)
And then one day
in 1986, her mother called. A doctor had opened up Judi Krone, taken a look at
the cancer inside her, given her two years to live with treatment, three months
without it. The woman Julie felt so close to that they used to get stomachaches
together. The woman she felt so far from that they could go a year and a half
without talking. The woman who had infected her with that beautiful torture,
the dream.
What could she do
to help her mother through the pain and delirium of chemotherapy and radiation,
through the slow, inevitable death?
Win, said Judi
Krone. Win.
The daughter
stopped needing to win just so she wouldn't hate herself. The daughter started
needing to win to help her mother live. The timing was right. She was 23,
reaching maturity as a rider. The wins started coming steadily, and then, like
firecrackers, four some days, five, even six! "Call my mom and tell
her," she would holler to anyone who had access to a telephone between
races on a day like that. The long droughts stopped. She started mailing
videotapes of her victories to her mother, who would pop them into a VCR at a
lodge for cancer victims and grin as all the other patients gathered around
her.
Trainers and
owners started offering Julie Krone so many mounts that she could take her pick
of two or three horses a race. She became the leading winner in 1987 at both
Monmouth and the Meadowlands, repeated at both New Jersey tracks in 1988, then
led in the jockey standings for much of the recent winter meet at Aqueduct
before finishing second. She became the first woman to ride in the Breeders'
Cup (finishing fourth in last year's Classic on Forty Niner), beat Bill
Shoemaker in a match race at Arlington Park (leaned on his horse for an eighth
of a mile, of course), started earning more than half a million dollars a year.
She was invited to appear on Carson and Letterman and even at the White House
right after George Bush's inauguration, and her spunk and her grin made
everyone around her grin, too. She found a boyfriend who didn't make a living
off horses, who would rather talk about Cairo, Nepal and Easter Island than the
Kentucky Derby, the Preakness and the Belmont. She even put on nail polish. And
her mother, a year past the time she was supposed to die, started training
horses again, started feeling good enough to wonder if maybe it wasn't too late
to start running after her own dream, the one about going on tour with an
exquisitely trained stallion, the dream she had never quite chased down.